“The Velvet Underground” is most singular in how it resurrects the 1960s downtown New York art scene that birthed and fermented the group.
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15, plums little-seen footage and features a host of rare interviews, including founding member John Cale (who describes the band as striving for “how to be elegant and how to be brutal”), Jonathan Richman of the Modern Lovers and an early disciple, and Jonas Mekas, the late pioneering filmmaker who filmed the Velvet Underground’s first ever live performance in 1964 and to whom the film is dedicated.
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“The Velvet Underground,” which Apple will release in theaters and on its streaming platform Oct. Let's get right to how this happened, this music, where these people came from and how this miracle of this group of people came together." “There were a lot of things I was going to be like: OK, we know this. “I didn't need to make a movie to tell you how great the band is,” Haynes said in an interview. You sense that even Lou Reed would be pleased by how “The Velvet Underground” refuses the obvious. His movie, which premiered this week at the Cannes Film Festival, is, like the Velvets, boldly artful, boundless and stimulating. Instead, Haynes, the reliably unconventional filmmaker of “Carol," “I'm Not There" and “Far From Heaven,” rejects a traditional treatment of the Velvets, a fitting approach considering the uncompromising, pioneering subject. You won't even really hear a fairly full Velvet Underground track until nearly an hour into the two-hour film. You won't hear that line in Todd Haynes' documentary “The Velvet Underground,” nor will you see a montage of famous faces talking about their vast influence. CANNES, France (AP) - The most often-repeated thing said about the Velvet Underground is Brian Eno's quip that the band didn't sell many records, but everyone who bought one started a band.